2009
EVENTS
Architecture+Philosophy
has presented an inspiring diversity of thinkers, makers, collaborators
and speakers across 2005, 2006,
2007, 2008. In 2009
the series took a short break, presenting:
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NOVEMBER
School
of Architecture and Design, RMIT University
with sponsoring partners:
Faculty
of Design, Swinburne University,
VESKI (Victorian
Endowment for Science, Knowledge and Innovation), and
Design Victoria
present:
Dr CHARLES BURNETTE
Form in Thought:
New insights at the core of Design Thinking
6:00pm
Thursday 19 November, 2009
RMIT Lecture Theatre 8.11.68
Building 8, Level 11, Room 68
360 Swanston Street, Melbourne
Form is central
to how we comprehend experience, yet there has been little attention
paid to the role form plays in purposeful thought and designing.
How formative thought generates identity, meaning, and closure to
facilitate recall, the communication of information, and interaction
with the external world will be suggested. The situated reflective
nature of the interpretation, synthesis, and expression of form
and how inputs from different sources are blended and compressed
to a human scale will be outlined. A new approach to form that is
more appropriate to how the mind works is proposed. An agency capable
of interpreting and expressing percepts, meanings, messages and
other artifacts is described. The central role of form in cognition,
interactive media, and communication is explained.
DR CHARLES
BURNETTE (USA) specialises in design management, design systems,
ecological design, sustainability and construction and transport
(see www.idesignthinking.com).
Formerly Dean, School of Architecture, The University of Texas at
Austin, Director of the Graduate Program in Industrial Design at
the University of the Arts in Philadelphia, PA, and Chairman of
its Industrial Design Department. Burnette was a consultant on the
practical arts to the groundbreaking Edison Project; twice a juror
for the IDEA awards; he served for 10 years on the International
Advisory Board, University of Art and Design UIAH, Helsinki; he
has been a frequent speaker in European design schools and at the
European Union’s Cumulus Program on Design Education; and
he is widely published on topics such as design management, design
systems, ecological design and design education. He has led workshops
and studios in Canada, Finland, Taiwan, Sweden, Germany and Slovenia
and chaired several conferences. He is now writing a book about
the design model, its foundations in cognitive science and its application.
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SEPTEMBER
URBAN
INTERIOR and ARCHITECTURE+PHILOSOPHY present:
Professor
Jane Rendell
To and Fro: A Site Writing
Friday
18 September, 2009, 6.00pm
RMIT Lecture Hall 8.11.68 (Building 8, Level 11, Room 68)
DRINKS
FROM 5:00PM
Bar 8.11.01
Free event - no bookings required
To and Fro: A Site-Writing
Referencing Didier Anzieu’s work on the skin-ego, while also
drawing on the differing spatial relations between conscious, preconscious
and unconscious, and ego, id and superego, in Sigmund Freud’s
first and second topographies, To and Fro explores movement across
boundaries between private and public, inside and outside. Materially
present in artworks by Nathan Coley and Jananne Al-Ani, screens
and veils are considered to separate and join critic and artwork.
Sited at particular positions in relation to the artworks, the texts
play with a changing fluctuation of 'I', 'you' and ‘s/he’
to and fro across the threshold. Referencing the repetitive play
of fort/da, one piece of site-writing returns in another, to be
re-worked finally in a two-part text installation: An Embellishment:
Purdah (2006).
PROFESSOR JANE
RENDELL BA (Hons), Dip Arch, MSc, PhD, is Director of Architectural
Research at the Bartlett, UCL. An architectural designer and historian,
art critic and writer, her work has explored various interdisciplinary
intersections: feminist theory and architectural history, fine art
and architectural design, autobiographical writing and criticism.
She is author of Site-Writing: The Architecture of Art Criticism
(forthcoming 2009), Art and Architecture (2006), The
Pursuit of Pleasure (2002) and co-editor of Pattern
(2007), Critical Architecture (2007), Spatial Imagination
(2005), The Unknown City (2001), Intersections
(2000), Gender Space Architecture (1999) and Strangely
Familiar (1995).
She is on the
Editorial Board for ARQ (Architectural Research Quarterly),
Haecceity, The Happy Hypocrite, The Issues
and the Journal of Visual Culture in Britain, a member
of the AHRC Peer Review College (2004–2008) and chair of the
RIBA President’s Awards for Research (2005–2007). In
2006 she was a research fellow at CRASSH (Centre for Research in
Arts, Social Sciences and Humanities) at the University of Cambridge
and received an honorary degree from the University College of the
Creative Arts, and in 2008 she was awarded Research Leave from the
AHRC to complete her site-writing book.
She has been
invited to write about artists such as Jananne Al Ani, Daniel Arsham,
Bik Van Der Pol, Nathan Coley, Janet Hodgson, Jane Prophet, Tracey
Moffatt, Adriana Verajao, Richard Wentworth, and the Estonian Pipe
Line project exhibited at the Venice Architecture Biennale 2008.
Her talks and texts have been commissioned by galleries, for example,
the Baltic, Gallerie Emmanuel Perotin, the Hayward, the Kunstmuseet
Koge Skitsesamling, Kunstmuseum Thon, the Serpentine, the Tate,
the Wapping Project and the Whitechapel.
{UI}
URBAN INTERIOR
Assembled in 2007, Urban Interior investigates the relation between
people and the urban condition. As the number of people living in
urban areas begins to exceed those in rural areas, a paradigm shift
must be actuated to accommodate new social relations borne out of
innovative technological, sensory, physiological, environmental
and material dimensions. Urban Interior investigates how the aesthetics
of the spatial + temporal dimensions of design contribute to, and
engage with, this emerging social condition. What might be the contribution
of design disciplines in this new mode of urban inhabitation? How
can temporary inter-related design actions in urban conditions reveal
the kinds of qualities needed to sustain and enrich the increasing
inhabitation of urban areas? As a research group, {UI} is composed
of a range of disciplines including fashion, art, landscape architecture,
sound, interior design, architecture, and industrial design. As
a collective, individual research trajectories cover a breadth of
practices, scales and concerns from the intimacy of bodies to events
within the public realm. The acronym {UI} is also suggestive of
the focus of our research; there is an attention to both the individual
and collective nature of the habitation of environments: you and
I.
Urban
Interior is part of the Customising
Space research stream at the Design
Research Institute in the School
of Architecture and Design at RMIT University. It receives funding
from the Design Research Institute and the School’s Research
Committee. UI members: Suzie Attiwill ¦ Kate Church ¦
Mick Douglas ¦ Michael Fowler ¦ Robyn Healy ¦
Rochus Urban Hinkel ¦ Roger Kemp ¦ Mick Peel ¦
Malte Wagenfeld ¦
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THIS YEAR'S PROGRAM
// TODAY
I MAKE A PERSONAL COMMITMENT TO THE FUTURE WE DESIGN TOGETHER
Architecture
+ Philosophy provides a unique opportunity for a space of
exchange between the two disciplines. While what we provide
is a local space – Melbourne practitioners on Melbourne
issues – Architecture + Philosophy welcomes speakers
from any discipline to engage with questions of contemporary
urbanism, planning, technology, space, system, design, distribution
and other issues in the productive overlap between the two
disciplines. We curate a diverse range of presentations, from
research students and established academics to architecture
and planning practitioners, policy makers, public artists
and those working in the world between theory, buildings and
the city.
For all
enquiries, contact Esther
Anatolitis. Co-curator Dr
Hélène Frichot is on study leave in Germany
for the first half of 2009. New to the series as guest curator
in 2008 was Chelle Macnaughtan. about
the curators
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